A
major exhibition of the photographic work of Alexander Rodchenko (1891-1956) is
currently on at the Hayward Gallery in London. It is sponsored by Roman Abramovich, the
billionaire owner of Chelsea Football Club and a supporter of the Moscow House
of Photography Museum whose director, Olga Sviblova, curated the show. This important Russian
artist is
considered one of the most versatile avant-garde artists to have emerged after the Russian
Revolution.

Most current debate on multiculturalism revolves
around fundamental conflicts within liberalism. The liberal hegemony has meant
that the intense and detailed debates that accompanied the evolution of Marxist
social democracy have been relegated to the historical margins. The Marxist debate starts from a very
different perspective. Its focus is not the individual, but society as a whole.
This article is a re-examination of these debates and of
their historical interpretations in order to throw a new light on issues today. 

Someone has said that one of the criteria for winning the Turner Prize is not to be understood. The philosophy behind this is: the less I am understood, the better the art. Yet the kind of art that wins the Turner competition also has merit. They have the merit of holding up a mirror to the society that produced them, and saying: “This is what you are, and this is all you are capable of producing.” These works point out to us that beneath the sleek, comfortable bourgeois surface of modern society, horrors are lurking: dead vermin, murder, death and decay.