The Ashes & Diamonds exhibition will be on show at Wortley Hall, see www.wortleyhall.org.uk from November
7th – 12th.
The Ashes & Diamonds exhibition will be on show at Wortley Hall, see www.wortleyhall.org.uk from November
7th – 12th.
The Ashes & Diamonds exhibition will be on show at Wortley Hall, see www.wortleyhall.org.uk from November
7th – 12th.
Wortley Hall has been chosen as, like previous venues, it has past links to
the NUM’s education. I attended many Derbyshire NUM weekend and week long
schools there as I am sure did many of us. It is also a valuable Trade Union
resource that is celebrating 60 years of ownership by the Trade Union and Labour
Movement (who says workers can’t run a business!). It will also feature a number
of public meetings.
The timetable is as follows
Mon 7th November 7:00 pm
Official opening by Arthur Scargill Honorary President NUM, incorporating From the Miners Strike to the Current Capitalist
Crisis – Ken Capstick former Vice President, Yorkshire
Num.
The artist Darren Coffield will also speak on what inspired him to create
this tribute.
Tues 8th November 8:00 pm
The Media – from the Miners Strike to Murdochgate
Granville Williams – Campaign for Press and Broadcasting Freedom and Editor
– Shafted- the Miners Strike & the Aftermath
Peter Lazenby – Industrial Correspondent Yorkshire Evening Post, arrested
during the strike.
In the latest issue of The Communist, readers discuss the proliferation of ‘recession indicators’, how charity shops are being swamped with rubbish dumped on them by Amazon, and the reality today of a university students’ summer ‘break’.
‘I attended an anti-racist counter-demonstration last Saturday, by myself. All I had on me was The Communist and some leaflets. But I was able to stand out from the moralism of the main organisers, and won over a group of young people to communist ideas.’
“After reading Trotsky’s writings on art and literature, I came to oppose the idea of ‘art for art’s sake’, which tries to separate art from society. I came to realise that all art has social content, and so I naturally began to channel political ideas into my work.”
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