
Forged in the social upheavals during and after WWI, Dadaism was a radical school of art aimed at the capitalist establishment. Its initial inclination towards nonsensical absurdism developed into an open embrace of communism – reflecting an age of revolution.

Filmmaker David Lynch, who passed away last week, was a singular artist whose works were surreal and unsettling. Although not a ‘political person’, his films and TV shows explored alienation and the absurdity of everyday life under capitalism.

Issue 46 of In Defence of Marxism, the quarterly theoretical journal of the Revolutionary Communist International, is now available for purchase! Get your copy today!